The Ant and the Grasshopper | Its best to prepare for the days of necessity

Written By Dj Surendeng on Tuesday, August 20, 2013 | 4:09 PM

The Ant and the Grasshopper. In a field one summer's day a Grasshopper was hopping about, chirping and singing to its heart's content.  An Ant passed by, bearing along with great toil an ear of corn he was taking to the nest.

  "Why not come and chat with me," said the Grasshopper, "instead of toiling and moiling in that way?"

  "I am helping to lay up food for the winter," said the Ant, "and recommend you to do the same."

  "Why bother about winter?" said the Grasshopper; we have got plenty of food at present."  But the Ant went on its way and continued its toil.  When the winter came the Grasshopper had no food and found itself dying of hunger, while it saw the ants distributing every day corn and grain from the stores they had collected in the summer.  Then the Grasshopper knew, Its best to prepare for the days of necessity.

  .

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The Ant and the Dove | One good turn deserves another

The Ant and the Dove. AN ANT went to the bank of a river to quench its thirst, and being carried away by the rush of the stream, was on the point of drowning.  A Dove sitting on a tree overhanging the water plucked a leaf and let it fall into the stream close to her.  The Ant climbed onto it and floated in safety to the bank. 

Shortly afterwards a birdcatcher came and stood under the tree, and laid his lime-twigs for the Dove, which sat in the branches.  The Ant, perceiving his design, stung him in the foot.  In pain the birdcatcher threw down the twigs, and the noise made the Dove take wing.

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The Ant and the Chrysalis | Appearances are deceptive

The Ant and the Chrysalis by Aesop. An Ant nimbly running about in the sunshine in search of food came across a Chrysalis that was very near its time of change. The Chrysalis moved its tail, and thus attracted the attention of the Ant, who then saw for the first time that it was alive.

"Poor, pitiable animal!" cried the Ant disdainfully. "What a sad fate is yours! While I can run hither and thither, at my pleasure, and, if I wish, ascend the tallest tree, you lie imprisoned here in your shell, with power only to move a joint or two of your scaly tail." The Chrysalis heard all this, but did not try to make any reply.

A few days after, when the Ant passed that way again, nothing but the shell remained. Wondering what had become of its contents, he felt himself suddenly shaded and fanned by the gorgeous wings of a beautiful Butterfly.

"Behold in me," said the Butterfly, "your much-pitied friend! Boast now of your powers to run and climb as long as you can get me to listen." So saying, the Butterfly rose in the air, and, borne along and aloft on the summer breeze, was soon lost to the sight of the Ant forever.

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BEAUTY OF FORM AND BEAUTY OF MIND

Written By Dj Surendeng on Thursday, May 5, 2011 | 10:35 PM

BEAUTY OF FORM AND BEAUTY OF MIND.  There was once a sculptor, named Alfred, who having won the large gold medal and obtained a travelling scholarship, went to Italy, and then came back to his native land. He was young at that time- indeed, he is young still, although he is ten years older than he was then. On his return, he went to visit one of the little towns in the island of Zealand. The whole town knew who the stranger was; and one of the richest men in the place gave a party in his honor, and all who were of any consequence, or who possessed some property, were invited. It was quite an event, and all the town knew of it, that it was not necessary to announce it by beat of drum. Apprentice-boys, children of the poor, and even the poor people themselves, stood before the house, watching the lighted windows; and the watchman might easily fancy he was giving a party also, there were so many people in the streets.

There was quite an air of festivity about it, and the house was full of it; for Mr. Alfred, the sculptor, was there. He talked and told anecdotes, and every one listened to him with pleasure, not unmingled with awe; but none felt so much respect for him as did the elderly widow of a naval officer. She seemed, so far as Mr. Alfred was concerned, to be like a piece of fresh blotting-paper that absorbed all he said and asked for more. She was very appreciative, and incredibly ignorant- a kind of female Gaspar Hauser.
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The Angel by H.C Andersen

"WHENEVER a good child dies, an angel of God comes down from heaven, takes the dead child in his arms, spreads out his great white wings, and flies with him over all the placeswhich the child had loved during his life. Then he gathers a large handful of flowers, which he carries up to the Almighty, that they may bloom more brightly in heaven than they do on earth. And the Almighty presses the flowers to His heart, but He kisses the flower that pleases Him best, and it receives a voice, and is able to join the song of the chorus of bliss."
These words were spoken by an angel of God, as he carried a dead child up to heaven, and the child listened as if in a dream. Then they passed over well-known spots, where the little one had often played, and through beautiful gardens full of lovely flowers.
     "Which of these shall we take with us to heaven to be transplanted there?" asked the angel. Close by grew a slender, beautiful, rose-bush, but some wicked hand had broken the stem, and the half-opened rosebuds hung faded and withered on the trailing branches.
    "Poor rose-bush!" said the child, "let us take it with us to heaven, that it may bloom above in God's garden."
The angel took up the rose-bush; then he kissed the child, and the little one half opened his eyes. The angel gathered also some beautiful flowers, as well as a few humble buttercups and heart's-ease.
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Aesop's Fables : LIFE OF ÆSOP

Written By Dj Surendeng on Wednesday, May 4, 2011 | 8:11 PM

The Life and History of Æsop is involved, like that of Homer, the most famous of Greek poets, in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Cotiæum, the chief city of a province of Phrygia, contend for the distinction of being the birthplace of Æsop.

Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts, relating to the birth, life, and death of Æsop. He is, by an almost universal consent, allowed to have been born about the year 620 B.C., and to have been by birth a slave.

He was owned by two masters in succession, both inhabitants of Samos, Xanthus and Jadmon, the latter of whom gave him his liberty as a reward for his learning and wit. One of the privileges of a freedman in the ancient republics of Greece was the permission to take an active interest in public affairs; and Æsop, like the philosophers Phædo, Menippus, and Epictetus, in later times, raised himself from the indignity of a servile condition to a position of high renown.
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Fable and Parable

Fable and Parable are something include in term what people called Traditional Story. Traditional stories, expressed as myth, legend, folklore, fairy tale, and fable, are used interchangeably in common speech as a synonym, or sometimes an antonym, parable, or metaphor for popular fiction. Similar terms include anecdote, parable, and fairy stories. In the academic circles of literature, religion, history, and anthropology, these terms are important jargon to identify and interpret stories more precisely. Not every story will fall into exactly one category. Some stories belong in multiple categories and some stories do not fit into any category.

Fable is a succinct story, in prose or vers. The fable is one of the most enduring forms of folk literature, spread abroad, modern researchers agree, less by literary anthologies than by oral transmission. Fables can be found in the literature of almost every country.

Parable is also succinct story, in prose or verse, that illustrates a lesson. It differs from a fable in that fables use animals, plants, inanimate objects, and forces of nature as characters, while parables generally feature human characters. It is a type of analogy.
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Garden of the Prophet

Written By Dj Surendeng on Friday, December 17, 2010 | 3:55 PM

ALMUSTAFA, the chosen and the beloved, who was a noon unto his own day, returned to the isle of his birth in the month of Tichreen, which is the month of remembrance. And as his ship approached the harbour, he stood upon its prow, and his mariners were about him. And there was a homecoming in his heart.

And he spoke, and the sea was in his voice, and he said: “Behold, the isle of our birth. Even here the earth heaved us, a song and a riddle; a song unto the sky, a riddle unto the earth; and what is there between earth and sky that shall carry the song and solve the riddle save our own passion?


“The sea yields us once more to these shores. We are but another wave of her waves. She sends us forth to sound her speech, but how shall we do so unless we break the symmetry of our heart on rock and sand?


“For this is the law of mariners and the sea: If you would freedom, you must needs turn to mist. The formless is for ever seeking form, even as the countless nebulae would become suns and moons; and we who have sought much and return now to this isle, rigid moulds, we must become mist once more and learn of the beginning. And what is there that shall live and rise unto the heights except it be broken unto passion and freedom?

“For ever shall we be in quest of the shores, that we may sing and be heard. But what of the wave that breaks where no ear shall hear? It is the unheard in us that nurses our deeper sorrow. Yet it is also the unheard which carves our soul to form and fashion our destiny.”


Then one of his mariners came forth and said: “Master, you have captained our longing for this harbour, and behold, we have come. Yet you speak of sorrow, and of hearts that shall be broken.”


And he answered him and said: “Did I not speak of freedom, and of the mist which is our greater freedom? Yet it is in pain I make pilgrimage to the isle where I was born, even like unto a ghost of one slain come to kneel before those who have slain him.”
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THE RESCUER - The Broken Wings

Five years of Selma’s marriage passed without bringing children to strengthen the ties of spiritual relation between her and her husband and bind their repugnant souls together. A barren woman is looked upon with disdain everywhere because of most men’s desire to perpetuate themselves through posterity.

The substantial man considers his childless wife as an enemy; he detests her and deserts her and wishes her death. Mansour Bey Galib was that kind of man; materially, he was like earth, and hard like steel and greedy like a grave. His desire of having a child to carry on his name and reputation made him hate Selma in spite of her beauty and sweetness.

A tree grown in a cave does not bear fruit; and Selma, who lived in the shade of life, did not bear children.....

The nightingale does not make his nest in a cage lest slavery be the lot of its chicks.... Selma was a prisoner of misery and it was Heaven’s will that she would not have another prisoner to share her life. The flowers of the field are the children of sun’s affection and nature’s love; and the children of men are the flowers of love and compassion.....

The spirit of love and compassion never dominated Selma’s beautiful home at Ras Beyrouth; nevertheless, she knelt down on her knees every night before Heaven and asked God for a child in whom she would find comfort and consolation... She prayed successively until Heaven answered her prayers....

The tree of the cave blossomed to bear fruit at last. The nightingale in the cage commenced making its nest with the feathers of its wings.

Selma stretched her chained arms toward Heaven to receive God’s precious gift and nothing in the world could have made her happier than becoming a potential mother.

She waited anxiously, counting the days and looking forward to the time when Heaven’s sweetest melody, the voice of her child, should ring in her ears.... She commenced to see the dawn of a brighter future through her tears.

It was the month of Nisan when Selma was stretched on the bed of pain and labour, where life and death were wrestling. The doctor and the midwife were ready to deliver to the world a new guest. Late at night Selma started her successive cry... a cry of life’s partition from life... a cry of continuance in the firmament of nothingness.. a cry of a weak force before the stillness of great forces... the cry of poor Selma who was lying down in despair under the feet of life and death.

At dawn Selma gave birth to a baby boy. When she opened her eyes she saw smiling faces all over the room, then she looked again and saw life and death still wrestling by her bed. She closed her eyes and cried, saying for the first time, “Oh, my son.” The midwife wrapped the infant with silk swaddles and placed him by his mother, but the doctor kept looking at Selma and sorrowfully shaking his head.

The voices of joy woke the neighbours, who rushed into the house to felicitate the father upon the birth of his heir, but the doctor still gazed at Selma and her infant and shook his head....

The servants hurried to spread the good news to Mansour Bey, but the doctor stared at Selma and her child with a disappointed look on his face.

As the sun came out, Selma took the infant to her breast; he opened his eyes for the first time and looked at his mother; then he quivered and close them for the last time. The doctor took the child from Selma’s arms and on his cheeks fell tears; then he whispered to himself, “He is a departing guest.”

The child passed away while the neighbours were celebrating with the father in the big hall at the house and drinking to the health of their heir; and Selma looked at the doctor, and pleaded, “Give me my child and let me embrace him.”

Though the child was dead, the sounds of the drinking cups increased in the hall.....
He was born at dawn and died at sunrise...
He was born like a thought and died like a sigh and disappeared like a shadow.
He did not live to console and comfort his mother.
His life began at the end of the night and ended at the beginning of the day, like a drop of few poured by the eyes of the dark and dried by the touch of the light.
A pearl brought by the tide to the coast and returned by the ebb into the depth of the sea....
A lily that has just blossomed from the bud of life and is mashed under the feet of death.
A dear guest whose appearance illuminated Selma’s heart and whose departure killed her soul.
This is the life of men, the life of nations, the life of suns, moons and stars.

And Selma focused her eyes upon the doctor and cried, “Give me my child and let me embrace him; give me my child and let me nurse him.”
Then the doctor bent his head. His voice choked and he said, “Your child is dead, Madame, be patient.
Upon hearing her doctor’s announcement, Selma uttered a terrible cry. Then she was quiet for a moment and smiled happily. Her face brightened as if she had discovered something, and quietly she said, “Give me my child; bring him close to me and let me see him dead.”

The doctor carried the dead child to Selma and placed him between her arms. She embraced him, then turned her face toward the wall and addressed the dead infant saying, “You have come to take me away my child; you have come to show me the way that leads to the coast. Here I am my child; lead me and let us leave this dark cave.

And in a minute the sun’s ray penetrated the window curtains and fell upon two calm bodies lying on a bed, guarded by the profound dignity of silence and shaded by the wings of death. The doctor left the room with tears in his eyes, and as he reached the big hall the celebrations was converted into a funeral, but Mansour Bey Galib never uttered a word or shed a tear. He remained standing motionless like a statue, holding a drinking cup with his right hand.
* * * * * * * * * *
The second day Selma was shrouded with her white wedding dress and laid in a coffin; the child’s shroud was his swaddle; his coffin was his mother’s arms; his grave was her calm breast. Two corpses were carried in one coffin, and I walked reverently with the crowd accompanying Selma and her infant to their resting place.

Arriving at the cemetery, Bishop Galib commenced chanting while the other priests prayed, and on their gloomy faces appeared a veil of ignorance and emptiness.

As the coffin went down, one of the bystanders whispered, “This is the first time in my life I have seen two corpses in one coffin.” Another one said, “It seems as if the child had come to rescue his mother from her pitiless husband.”

A third one said, “Look at Mansour Bey: he is gazing at the sky as if his eyes were made of glass. He does not look like he has lost his wife and child in one day.” A fourth one added, “His uncle, the Bishop, will marry him again tomorrow to a wealthier and stronger woman.

The Bishop and the priests kept on singing and chanting until the grave digger was through filing the ditch. Then, the people, individually, approached the Bishop and his nephew and offered their respects to them with sweet words of sympathy, but I stood lonely aside without a soul to console me, as if Selma and her child meant nothing to me.

The farewell-bidders left the cemetery; the grave digger stood by the new grave holding a shovel with his hand. As I approached him, I inquired, “Do you remember where Farris Effandi Karamy was buried?”

He looked at me for a moment, then pointed at Selma’s grave and said, “Right here; I placed his daughter upon him and upon his daughter’s breast rests her child, and upon all I put the earth back with this shovel.”

Then I said, “In this ditch you have also buried my heart.”

As the grave digger disappeared behind the poplar trees, I could not resist anymore; I dropped down on Selma’s grave and wept.
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THE SACRIFICE - The Broken Wings

The Sacrifiece. One day in the late part of June, as the people left the city for the mountain to avoid the heat of summer, I went as usual to the temple to meet Selma, carrying with me a little book of Andalusian poems. As I reached the temple I sat there waiting for Selma, glancing at intervals at the pages of my book, reciting those verses which filled my heart with ecstasy and brought to my soul the memory of the kings, poets, and knights who bade farewell to Granada, and left, with tears in their eyes and sorrow in their hearts, their palaces, institutions and hopes behind. In an hour I saw Selma walking in the midst of the gardens and I approaching the temple, leaning on her parasol as if she were carrying all the worries of the world upon her shoulders. As she entered the temple and sat by me, I noticed some sort of change in her eyes and I was anxious to inquire about it.

Selma felt what was going on in my mind, and she put her hand on my head and said, “Come close to me, come my beloved, come and let me quench my thirst, for the hour of separation has come.”
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